The movie manages to tick all the correct packing containers and does justice to the supply materials Comedy, performing, music, and scene writing—the movie ticks the correct packing containers and makes justice to the supply materials and its noble theme
The movie manages to tick all the correct packing containers and does justice to the supply materials
When it was introduced that actor-filmmaker RJ Balaji would remake Amit Ravindernath Sharma’s 2018 Hindi comedy-drama Badhaai Ho, the intrigue was in regards to the filmmaking method that he would take. This was as a result of the unique was each in Balaji’s zone — for its humour and socially related theme — and away — for its refined type. Thankfully, Veetla Vishesham has all the things we like about Balaji, making it each grounded and humourous. Satirically, it’s critical in nature as nicely, particularly when in comparison with LKG and Mookuthi Amman, the opposite latest movies that had him within the lead.
The movie follows the lifetime of Ilango (Balaji), whose life turns into chaotic when his middle-aged mother and father (performed by Urvashi and Sathyaraj) announce that they’re about to turn into mother and father but once more. Dealing with humiliation and mock from society, the household of 5, which additionally consists of Elango’s brother and grandmother (KPAC Lalitha), are pressured to fastidiously manoeuvre their private and social lives.
Through the promotions for the movie, Balaji, who has directed the movie together with NJ Saravanan, saved suggesting that he checked out this as a possibility to ‘higher’ the unique, a normal promise instructed for all remakes. Fortunately right here, this doesn’t turn into a case of a pie within the sky. The makers appear to have been clear about what to retain from the unique and what to depart out. Even in scenes that appeared straight out the unique screenplay, one thing contemporary and quirky is added. This occurs proper from the introduction scene, a shot-by-shot reproduction that moreover has an excellent comedic trade involving actor Deepa Shankar, who performs one of many neighbours.
Many of those new additions embrace carefully-placed Tamil cinema and pop-culture references. For example, the well-known ‘Naan Seidha Kurumbu’ track from Rajinikanth’s Moondru Mugam seems out of the blue throughout a hilarious non-verbal trade. Equally, Tamil music composers Anirudh Ravichander and Hip Hop Tamizha are talked about in a joke, including a layer to its counterpart within the unique.
Even music is innovatively used to elicit nostalgia. The most effective one is in a lovely scene that includes the elder couple, wherein ‘Sippi Irukkuthu’ from Balachander’s Varumayin Niram Sivappu is referred to; the scene ends with a remixed instrumental rating of the basic track that solely provides to the temper.
Veetla Vishesham
Director: RJ Balaji, N J Saravanan
Forged: RJ Balaji, Urvashi, Sathyaraj, Aparna Balamurali
Storyline: When a middle-aged woman will get pregnant, a household of 5 have to tug themselves collectively to take care of the problems
Veetla Vishesham is an assortment of many types of comedy, that additionally consists of tragicomedy, situational comedy, slapstick, and Balaji’s well-known witty counters. As one may count on, the movie additionally tones down its intercourse jokes and intimacy, most likely in a bid to make the topic family-friendly
The way in which the characters are written additionally work in its favour. Ilango is written as a struggling character with a conservative method to issues, one thing that doesn’t go nicely together with his girlfriend (performed by Aparna Balamurali). This arc ties with the general storyline. The facility dynamics between the daddy and the son helps the movie’s development, and the drama within the sequences involving Sathyaraj and Urvashi is, fortunately, sans melodrama.
A nonetheless from Veetla Vishesham
| Picture Credit score: SPECIAL ARRANGEMENT
Urvashi and KPAC Lalitha give their all the things to the characters and that is finest displayed in an excellent tear-jerker of a scene between these two in the long run. One can’t say the identical for lead actor Balaji, whose onscreen struggles throughout sentimental sequences turn into too obvious.
Past comparisons with the unique, Veetla Vishesham manages to face by itself as a well-written drama that takes its theme significantly and as an entertainer that leaves the viewers in splits throughout common intervals. That is additionally most likely RJ Balaji’s first movie with an ‘introduction card’. It is usually a movie that appears to be introducing to audiences what one may assumed because the ‘RJ Balaji Cinematic Universe’ (RJBCU). Will this turn into the season of cinematic universes in Tamil cinema?
Veetla Vishesham is at present operating in theatres